Sundays

In this philosophical science-fiction short, the end of the world presents itself as a veritable nightmare to Ben’s eyes. The man moves across an apocalyptic looking Mexico City, while at the same time being confronted with the memory of the love of his life. Dreamlike flashes of this are interlaced with dark skies over a futuristic city, collapsing buildings, robots and ubiquitous cameras. Developed as a 'proof-of-concept’, a first step towards the realisation of a feature film.