Go to content
The Indonesian Sjamsudin family, a compelling metaphor of life in Indonesia, struggles with corruption, religious conflicts, the generation gap and the growing inequality between rich and poor.

For twelve years, Leonard Retel Helmrich followed the Indonesian family Sjamsudin in the slums of Jakarta. After Stand van de zon and Stand van de maan, Stand van de sterren is the final instalment of an award-winning triptych. The Sjamsudin family, portrayed in cinéma vérité, is the microcosm epitomising the key issues of Indonesian life: corruption, religious conflicts, gambling addiction, the generation gap and the growing inequality between rich and poor.
Bakti Sjamsudin comes to pick up his mother Rumidjah from her house in the country. He raises her granddaughter Tari. Since he has been appointed neighbourhood manager, he can no longer take care of her and neither can his wife Sri, for lack of time. Tari is facing her entrance exams for college. She is the family’s hope for a better future. Tari is very smart, but she is also lured by the temptations of modern life, like going out and mobile phones. At the centre of these vicissitudes stands Rumidjah, who watches her family bewildered and sometimes lost and who lets Tari win her over.

Credits

Executive producer
Sound Design
Production company
Scarabeefilms
TV company
Human TV
Distributor NL
Cinema Delicatessen

Title: Stand van de sterren
Year: 2010
Duration : 1 hour, 51 minutes
Category: Long Documentary
Edition: NFF 2011

Gouden Kalf nominees

Other awards

Kristallen Film (10.000 bezoekers documentaire) (2011)

NFF Archive

You are now in the NFF Archive. The archive contains contains information on film, TV and interactive productions that were screened at past festival editions. The NFF does not dispose of this material. For this, please contact the producer, distributor or broadcaster. Sometimes, older films can also be found at the Eye Film Museum or the Netherlands Institute for Sound and Vision.

Bekijk trailer

Stills

Still
Still
Still
Still
Still
Still
Still
Still
Still
Still
Still
Still