Beste Korte Film Erwin Olaf
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Film in known hyperrealist style of Erwin Olaf. In this French-spoken short film, the camera wanders around agonisingly slowly in an empty, neatly furnished house. The setting has something Jacques Tati-esque. Suddenly, the doorbell rings. A woman opens the door and talks briefly to her guest, who compliments her on a new, drastic plastic surgery.